We don’t need another hero

10th Berlin Biennale for Contemporary Art, 2018

Co-curator, with Gabi Ngcobo, Yvette Mutumba, Thiago de Paula Souza, Serubiri Moses

 

Titled We don’t need another hero, the 10th Berlin Biennale for Contemporary Art is a conversation with artists and contributors who think and act beyond art as they confront the incessant anxieties perpetuated by a willful disregard for complex subjectivities. It took place from June 9 to September 9, 2018 at various venues in Berlin, including Akademie der Künste at Hanseatenweg, KW Institute for Contemporary Art, Volksbühne Pavilion, and ZK/U – Center for Art and Urbanistics. In co-production with HAU Hebbel am Ufer, HAU2 serves as a site for two performances over the course of the 10th Berlin Biennale.

Starting from the position of Europe, Germany, and Berlin as a city in dialogue with the world, the 10th Berlin Biennale confronts the current widespread states of collective psychosis. By referencing Tina Turner’s song from 1985, We Don’t Need Another Hero, we draw from a moment directly preceding major geopolitical shifts that brought about regime changes and new historical figures. The 10th Berlin Biennale does not provide a coherent reading of histories or the present of any kind. Like the song, it rejects the desire for a savior. Instead, it explores the political potential of the act of self-preservation, refusing to be seduced by unyielding knowledge systems and historical narratives that contribute to the creation of toxic subjectivities. We are interested in different configurations of knowledge and power that enable contradictions and complications.

Already launched in July 2017, I’m Not Who You Think I’m Not, the public program of the 10th Berlin Biennale, set the tone in a first event that took place in collaboration with the independent educational initiative Each One Teach One (EOTO) e. V. in Berlin. This was followed by a panel discussion in cooperation with the FNB JoburgArtFair in September 2017. The public program disavows assumed beingness and know-hows, perspectives that are often based on existing, constructed social frameworks and their associated speculations about particular subjectivities. Throughout the buildup to the 10th Berlin Biennale until its conclusion in September 2018, the public program creates situations evading these points of view and, at the same time, proposes a refreshed grammar for facing the present.

 

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